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Erastus Salisbury Field The Garden of Eden oil painting reproduction


The Garden of Eden
1865
Erastus Salisbury Field2.jpgPainting ID::  4020
 

 
 
   
      

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Thomas Cole The Garden of Eden oil painting reproduction


The Garden of Eden
The Garden of Eden (1828)
new20/Thomas Cole-944435.jpgPainting ID::  58399
 

 
 
   
      

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unknow artist The Garden of Eden oil painting reproduction


The Garden of Eden
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt The other tree in the Garden is that of Knowledge, which is also the Tree of Death. It is embraced by the youthful St Sebastian, whose martyrdom (he was tied to a tree and killed by arrows) may be related to the crucifixion of Jesus. The figures sitting in front are easily recognizable by their attributes: the Archangel St Michael by the monkey-like monster cowering at his feet, who is the vanquished Satan himself; St George by his knightly clothes and by the corpse of the dragon, the embodiment of earthly wickedness.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
new21/unknow artist-533239.jpgPainting ID::  63557
 

 
 
   
      

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unknow artist The Garden of Eden oil painting reproduction


The Garden of Eden
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt Mary appears in her usual colours, blue and red. Her attributes are illustrated by the flowers richly carpeting the foreground (lilies and lilies of the valley = purity; rose = illumination; violets = modesty and humility) . These flowers, which were also used for medicinal purposes, frequently became connected with the person of the Madonna. In a fourteenth-century poem from the Netherlands, surviving in manuscript form, twelve different flowers refer to Mary, eight of which can be found in this painting.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
new21/unknow artist-565549.jpgPainting ID::  63558
 

 
 
   
      

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unknow artist The Garden of Eden oil painting reproduction


The Garden of Eden
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt Into the picture of love and undisturbed idyll enters music as the Child Jesus, assisted by St Catherine of Alexandria, plucks on a psaltery. Beyond expressing harmony, music in this picture also refers to the divine nature of this human Jesus. The duality of his being is also intimated by a cherry tree - here substituting for a tree of life - with its twin trunk and bough, from which St Dorothy picks fruit.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
new21/unknow artist-985465.jpgPainting ID::  63559
 

 
 
   
      

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unknow artist The Garden of Eden oil painting reproduction


The Garden of Eden
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt The female figure wearing a white scarf and drawing from the water of life is St Barbara, whose humility and unshakable strong faith ties her closely to Mary.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
new21/unknow artist-679553.jpgPainting ID::  63560
 

 
 
   
      

All Thomas Cole Oil Paintings
 
 
Thomas Cole The Garden of Eden oil painting reproduction


The Garden of Eden
The Garden of Eden, 1828, Oil on canvas Date 1828 cjr
new24/Thomas Cole-975647.jpgPainting ID::  82182
 

 
 
   
      

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Thomas Cole The Garden of Eden oil painting reproduction


The Garden of Eden
1828, Oil on canvas cyf
new25/Thomas Cole-865667.jpgPainting ID::  85832
 

 
 
   
      

All Thomas Cole Oil Paintings
 
 
Thomas Cole The Garden of Eden oil painting reproduction


The Garden of Eden
1828, Oil on canvas cyf
new25/Thomas Cole-988977.jpgPainting ID::  86501
 

 
 
   
      
Thomas Cole
  
1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.
The Garden of Eden
1828, Oil on canvas cyf

Related Paintings to Thomas Cole :.
| Carducho, Vicente-Carducho, Vicente-338 cm x 298,5 cm | Landscape of Normandy, 1908 | Gerard ter Borch - Portrait of a Young Man | Maximilien Luce - A Street in Paris in May 1871 | Paul Gauguin66 | | Portrait of Artist's children | preceding pages | Madame jacques Louis Leblanc | St Peter | jean jacques henner |

        

 

 

 
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